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Personalised multi-point setup included

Before dispatch, your instrument will be treated to a full setup. That's not a quick tweak, but a full multi-point setup by an experienced guitar technician who will check and adjust every single thing on your guitar, bass, ukulele or banjo to ensure it is performing at its absolute best.

This is not a quick process but we believe every instrument should go through our process to acheive an exacting standard of playability.

Frets

We start with the frets on your instrument. All guitar necks move and change over time so we will make sure that your frets are nice and flat as we go up the neck. We don't want any high or low spots as this will mean your guitar will need a higher than optimum action and potentially suffer with fret buzz.

We check and properly profile the playing surface of the frets and then make sure the fret ends are finished off properly. The fret is then polished to ensure smooth string bending.

Truss Rod

Then it's on to the truss rod. This metal rod differs from guitar to guitar (some guitars such as classical guitars don't usually have a truss rod!) and basically controls the "relief" or curve of the neck. Not enough relief and your strings won't have enough clearance over the other frets when playing. Too much relief and you'll have a high action which gets worse as you go up the neck.

The heavier the strings then the more the truss rod needs to work. Proper adjustment in the workshop means that the action will be just right for the strings fitted to your guitar.

Top Nut

The top nut is super important and is one of the two open contact points of your guitar. The technician will check and cut each slot to make sure the strings both run freely but are not sitting in a slot that's too big.

The top nut also plays a big part in the action of your guitar so we'll hit that sweet spot between too low and too high.

Saddle(s)

Another really important part of your guitar!

On an acoustic, the saddle is cut to the correct height making sure the bottom is 100% flat and straight. This means the string can transfer its vibration properly into the body of your guitar.

For electric guitars, the saddles are adjusted to ensure your intonation is perfect. We will also match the saddles to the radius of your fretboard.

Bridge / Tremolo

The bridge affects the break angle and string height of your guitar and is also responsible for holding your saddles.

For a guitar with a Floyd Rose tremolo system or similar, the spring tension has to be just right to allow the tremolo to return to its "zero point" and keep everything in tune.

For guitars with standard tremolos, we can set it to float and be used both up or down like a true tremolo or we can lock the trem block back so the tremolo will only go downwards.... the choice is yours!

Intonation

Intonation is the measure of how in-tune the guitar string is across the length of the fretboard and a guitar with badly set intonation will get more and more out of tune as the string is shortened when you play.

Tiny adjustments are made to each string where applicable to adjust its length and ensure that the intonation is set just right.

Overall Action

Once all the above has been completed, the guitar is checked for playability and fine adjustments are made. This step brings everything together and means your guitar will be set up optimally.

Machine Heads

Every machine head is operated and checked for function. We need to ensure that the machine heads operate smoothly.

Electrics

All the functions of your guitar are checked to ensure everything is working as intended.

For acoustic guitars we will check the functions of the EQ system and controls as weel as check the internal cabling and jack socket.

For electric guitars, all the pickups are checked for function and tonal response. All controls and switches are operated to ensure they are functioning properly. The jack socket is checked.

Other Parts

All other parts such as strap pins, bushings, tuning buttons etc are fully checked.

Dispatch

All our instruments get the same premium treatment wether you purchase online or instore.

If you have purchased online, your guitar will be carefully packed ready for dispatch. You will receive a tracking link via email.

Happy playing :)

Line 6 DT50 - 112 Combo

SKU: DT50112

Discontinued

This item has now been discontinued. Browse our website for alternatives or feel free to contact us on 01279 432 900 for further advice.

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Description

Find your voice
Classic American clean, chimey and crunchy English tones, modern high-gain distortion – all great amplifiers are based on one of these four celebrated amp voicings. DT50 has them all, and the four-way Voicing switch on the front panel is your speed-dial to each one.

Behind each Voicing is the perfect recipe of dynamic analog circuitry (which includes tube configuration and negative feedback loop topology), and HD amp modeling technology (which fuels the preamp and tone stack). The choice is yours.

Switchable analog components
Each Voicing can become a classic powerhouse or totally customized thanks to tube amp guru Reinhold Bogner’s uniquely flexible design. The (2) 12AX7 preamp and 50W, (2) EL34 power section offer easy reconfiguration of operating class (Class A/Class AB) and power tube mode (Pentode/Triode) for a wide range of feels and tones that can be added to each Voicing: modern or vintage, tight or dynamic.

Diver down
State-of-the-art HD modeling technology goes deeper than modeling ever has and fully integrates into Reinhold Bogner’s power section. The two technologies combine and deliver a truly unique and powerful playing experience available only from DT50 amplifiers.

Low-volume mode
HD modeling technology really comes alive in low-volume mode. Perfect for recording or quieter gigs, low-volume mode lets the HD modeling technology provide both preamp and power amp tones. You can perform with all the grit and gain you need without the volume that normally comes with it.

Celestion speakers: A history of great tone
Celestion® guitar speakers are world renowned for their exceptional definition, clarity, and feel. Whether it’s sporting a Celestion Vintage 30 or a G12H90 that was custom-voiced for Line 6, each DT50 boasts clean tones that sparkle and sing, creamy overdrives that respond to the intricacies of your picking, and searing high-gain tones that launch themselves from the cabinet.

2 channels + 1 touch = total reconfiguration
DT50 goes from the perfect little clean machine to a brutal, brooding badass with all necessary components to make each tone sing. The Channel switch is your ticket to total, one-touch analog and digital reconfiguration. Any combination of voicing, operating class and power tube mode can be saved to either channel. You’re not limited to just “clean” and “dirty” – you can have whatever you want.

Traditional amp operation
Quickly dial in your tone, or take your time customizing a classic. The front-panel features two channels (with identical Drive, Bass, Mid, Treble, Presence, Reverb, and Channel Volume knobs), a Master Volume knob and a few well-placed switches (including channel, operating class and power tube mode). DT50 is so simple, you already know how to use it.

Sound great, look sharp
The sleek, boutique aesthetic is inspired by the vision of master amp designer Reinhold Bogner. Premium Tolex® is carefully wrapped around every curve and corner, and the black and gold treatment is classy but earthy for a stunning on-stage presentation.

L6 LINK™ connectivity
DT50 amplifiers and POD® HD multi-effect pedals don’t just connect, they integrate via L6 LINK technology. Here are a few advantages of connecting via L6 LINK:

Selecting a POD HD preset automatically optimizes DT50 analog components.
DT50 takes full advantage of the POD HD amp models and M-class effects.
Changing tone settings on one updates the other.
Edit POD HD tones simply by turning DT50 knobs.
Easily create stereo or wet/dry settings. Daisy-chain amps with standard XLR cables and POD HD will do the rest.

Serial effect loop
Effect pedals love DT50. Connect them via the serial effect loop and dial in the perfect amount with the adjustable return level.

Foot control
DT50 offers a variety of ways you can add foot control including simple channel switching via a common footswitch (1/4” jack), MIDI control including Line 6 M9 and M13 Stompbox Modelers (MIDI in and out/thru), and L6 LINK for total seamless integration (L6 LINK jack).

MIDI
Integrate DT50 into your MIDI rig and control amp parameters from channel switching on up, or pass MIDI through the amp from your POD HD.

XLR direct out
Mic’ing your amp requires time, lots of gear, and a place for you to turn it up. These days, most of those things are hard to come by. DT50 features a transformer-tapped direct output with cabinet simulation, which is ideal for fast, great sounding tones for studio recording or live performance.

Advanced HD modeling technology
Reinhold Bogner’s most flexible tube design
(2) 12AX7 preamp, (2) EL34 power amp (25W/50W)
Simple and straightforward 2-channel design
Each channel: Drive, Bass, Mid, Treble, Presence, Reverb, Channel Volume
Master volume
High and Low inputs
Reconfigurable analog components (Class A/Class AB; Pentode/Triode)
Complete, one-touch analog reconfiguration (via Channel select switch)
Low-power mode
1x12" Celestion® custom G12H90 speaker
L6 LINK™ in/thru connection for POD® HD integration
Serial effect loop with level control
Footswitch jack for channel switching
XLR direct out with cabinet simulation and ground lift switch
4, 8 and 16-ohm speaker outs

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Line 6 DT50 - 112 Combo

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Line 6 DT50 - 112 Combo

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