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Personalised multi-point setup included

Before dispatch, your instrument will be treated to a full setup. That's not a quick tweak, but a full multi-point setup by an experienced guitar technician who will check and adjust every single thing on your guitar, bass, ukulele or banjo to ensure it is performing at its absolute best.

This is not a quick process but we believe every instrument should go through our process to acheive an exacting standard of playability.

Frets

We start with the frets on your instrument. All guitar necks move and change over time so we will make sure that your frets are nice and flat as we go up the neck. We don't want any high or low spots as this will mean your guitar will need a higher than optimum action and potentially suffer with fret buzz.

We check and properly profile the playing surface of the frets and then make sure the fret ends are finished off properly. The fret is then polished to ensure smooth string bending.

Truss Rod

Then it's on to the truss rod. This metal rod differs from guitar to guitar (some guitars such as classical guitars don't usually have a truss rod!) and basically controls the "relief" or curve of the neck. Not enough relief and your strings won't have enough clearance over the other frets when playing. Too much relief and you'll have a high action which gets worse as you go up the neck.

The heavier the strings then the more the truss rod needs to work. Proper adjustment in the workshop means that the action will be just right for the strings fitted to your guitar.

Top Nut

The top nut is super important and is one of the two open contact points of your guitar. The technician will check and cut each slot to make sure the strings both run freely but are not sitting in a slot that's too big.

The top nut also plays a big part in the action of your guitar so we'll hit that sweet spot between too low and too high.

Saddle(s)

Another really important part of your guitar!

On an acoustic, the saddle is cut to the correct height making sure the bottom is 100% flat and straight. This means the string can transfer its vibration properly into the body of your guitar.

For electric guitars, the saddles are adjusted to ensure your intonation is perfect. We will also match the saddles to the radius of your fretboard.

Bridge / Tremolo

The bridge affects the break angle and string height of your guitar and is also responsible for holding your saddles.

For a guitar with a Floyd Rose tremolo system or similar, the spring tension has to be just right to allow the tremolo to return to its "zero point" and keep everything in tune.

For guitars with standard tremolos, we can set it to float and be used both up or down like a true tremolo or we can lock the trem block back so the tremolo will only go downwards.... the choice is yours!

Intonation

Intonation is the measure of how in-tune the guitar string is across the length of the fretboard and a guitar with badly set intonation will get more and more out of tune as the string is shortened when you play.

Tiny adjustments are made to each string where applicable to adjust its length and ensure that the intonation is set just right.

Overall Action

Once all the above has been completed, the guitar is checked for playability and fine adjustments are made. This step brings everything together and means your guitar will be set up optimally.

Machine Heads

Every machine head is operated and checked for function. We need to ensure that the machine heads operate smoothly.

Electrics

All the functions of your guitar are checked to ensure everything is working as intended.

For acoustic guitars we will check the functions of the EQ system and controls as well as check the internal cabling and jack socket.

For electric guitars, all the pickups are checked for function and tonal response. All controls and switches are operated to ensure they are functioning properly. The jack socket is checked.

Other Parts

All other parts such as strap pins, bushings, tuning buttons etc are fully checked.

Dispatch

All our instruments get the same premium treatment whether you purchase online or instore.

If you have purchased online, your guitar will be carefully packed ready for dispatch. You will receive a tracking link via email.

Happy playing :)

Laney Digbeth Foundry DBF200 1x15" 200w Bass Combo

Laney Digbeth Foundry DBF200 1x15" 200w Bass Combo

Name: Laney Digbeth Foundry DBF200 1x15" 200w Bass Combo
Brand: Laney
SKU: DBF200
Price: 429.00 GBP
Availability: InStock

Punchy 200w bass amp with clean and overdrive channels and versatile EQ section.

SKU: DBF200

£429.00

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Description

The Laney Digbeth DBF200 brings 200 watts of punchy bass power into an ultra-compact 2x8 combo built for rehearsal, recording, and club gigs. Featuring blendable FET and vintage-style drive channels alongside a responsive Tilt tone control, it bridges clean headroom with aggressive grit without sacrificing low-end clarity. Bassists seeking a road-ready workhorse that balances manageable weight with modern stage connectivity will find it delivers authoritative projection wherever they play.

Dual FET and Drive Voicings with Mix Mode

Laney equips the DBF200 with two discrete preamps: a clean, responsive FET channel and an analogue tube-voiced Drive channel with dedicated Drive and Volume controls. The FET section provides immediate dynamic response with extended headroom, while the Drive channel ranges from subtle vintage warmth to aggressive harmonic breakup.

The dedicated Mix switch blends both circuits simultaneously. Instead of losing bottom-end definition when you add overdrive, the Mix mode lets you run the punchy fundamental of the FET stage parallel to the harmonic bite of the Drive stage.

Flexible Tone Shaping with Tilt and Preshape

Beyond its traditional 3-band EQ, the DBF200 introduces Laney's dynamic Tilt control. Functioning like a see-saw frequency balance with a neutral centre detent, turning it clockwise boosts presence and mid-range to cut through loud band mixes while trimming muddy low frequencies. Rotating it anti-clockwise thickens the lower register while softening highs for a warmer, rounder presence.

For immediate modern slap or heavy rock tones, the switchable Preshape filter introduces a targeted mid-scoop while boosting top-end attack and bottom-end weight. A master volume knob governs your final output level without upsetting your preamp balance or drive saturation.

1x 15" HH Audio Woofer

The DBF200 is equipped with a 15" HH AUDIO Blue professional woofer which delivers punchy bass tones with clarity. All Digbeth FOUNDRY combos features a removable front fret which makes them great options as recording amps.

The cabinet is constructed from 15 mm plywood to maintain natural resonance and road-going rigidity while keeping overall weight down. In addition, the front cloth fret is completely removable, allowing sound engineers unobstructed microphone placement right at the speaker cone during recording sessions.

Stage, Studio, and Silent Practice Connectivity

The rear panel offers comprehensive I/O for live performance and quiet practice. A balanced XLR DI output sends a clean, pre-EQ signal directly to front-of-house mixing desks or audio interfaces, while the FX send doubles as a post-preamp line output. An onboard effects loop allows you to integrate modulation and time-based pedals directly into your signal chain.

For quiet home sessions, a 3.5 mm auxiliary input lets you plug in an audio player for backing tracks, and a 3.5 mm stereo headphone output mutes the speakers for silent monitoring. A footswitch socket also allows remote switching of the Drive channel from the floor.

Laney Digbeth DBF200 Specifications

Power Output - 200 watts RMS.
Speaker Configuration - 1x15" HH Audio Blue professional woofers.
High-Frequency Horn - switchable horn for crisp top-end articulation.
Channels - two channels (FET and Drive) with parallel Mix mode.
Preamp Controls - FET Volume, Drive, Drive Volume, Mix switch, and Master Volume.
Tone Controls - 3-band EQ (Bass, Middle, Treble) with dynamic Tilt control.
Voicing Options - switchable Preshape mid-scoop filter.
DI Output - balanced male XLR direct output (pre-EQ).
Effects Loop - standard 1/4" send and return loop.
Line Output - FX send doubles as an auxiliary line output.
Auxiliary Input - 3.5 mm stereo jack for audio playback.
Headphone Output - 3.5 mm stereo jack for silent rehearsal.
Footswitch Socket - rear connection for remote Drive channel switching.
Cabinet Construction - 15 mm plywood with protective steel corners and top strap handle.
Baffle Design - removable front fret cloth for direct studio microphone access.
Power Supply - internal universal 100-240V switched-mode power supply with IEC C14 socket.

Weight and Dimensions for Laney Digbeth DBF200

Dimensions (cm) = 56 x 46 x 35 (HxWxD)
Weight (Kg) = 16.6

The Laney Digbeth DBF200 gives gigging and recording bassists a compact, highly versatile rig that transitions seamlessly from late-night practice to stage performance without sacrificing power or tonal precision.

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