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Personalised multi-point setup included

Before dispatch, your instrument will be treated to a full setup. That's not a quick tweak, but a full multi-point setup by an experienced guitar technician who will check and adjust every single thing on your guitar, bass, ukulele or banjo to ensure it is performing at its absolute best.

This is not a quick process but we believe every instrument should go through our process to acheive an exacting standard of playability.

Frets

We start with the frets on your instrument. All guitar necks move and change over time so we will make sure that your frets are nice and flat as we go up the neck. We don't want any high or low spots as this will mean your guitar will need a higher than optimum action and potentially suffer with fret buzz.

We check and properly profile the playing surface of the frets and then make sure the fret ends are finished off properly. The fret is then polished to ensure smooth string bending.

Truss Rod

Then it's on to the truss rod. This metal rod differs from guitar to guitar (some guitars such as classical guitars don't usually have a truss rod!) and basically controls the "relief" or curve of the neck. Not enough relief and your strings won't have enough clearance over the other frets when playing. Too much relief and you'll have a high action which gets worse as you go up the neck.

The heavier the strings then the more the truss rod needs to work. Proper adjustment in the workshop means that the action will be just right for the strings fitted to your guitar.

Top Nut

The top nut is super important and is one of the two open contact points of your guitar. The technician will check and cut each slot to make sure the strings both run freely but are not sitting in a slot that's too big.

The top nut also plays a big part in the action of your guitar so we'll hit that sweet spot between too low and too high.

Saddle(s)

Another really important part of your guitar!

On an acoustic, the saddle is cut to the correct height making sure the bottom is 100% flat and straight. This means the string can transfer its vibration properly into the body of your guitar.

For electric guitars, the saddles are adjusted to ensure your intonation is perfect. We will also match the saddles to the radius of your fretboard.

Bridge / Tremolo

The bridge affects the break angle and string height of your guitar and is also responsible for holding your saddles.

For a guitar with a Floyd Rose tremolo system or similar, the spring tension has to be just right to allow the tremolo to return to its "zero point" and keep everything in tune.

For guitars with standard tremolos, we can set it to float and be used both up or down like a true tremolo or we can lock the trem block back so the tremolo will only go downwards.... the choice is yours!

Intonation

Intonation is the measure of how in-tune the guitar string is across the length of the fretboard and a guitar with badly set intonation will get more and more out of tune as the string is shortened when you play.

Tiny adjustments are made to each string where applicable to adjust its length and ensure that the intonation is set just right.

Overall Action

Once all the above has been completed, the guitar is checked for playability and fine adjustments are made. This step brings everything together and means your guitar will be set up optimally.

Machine Heads

Every machine head is operated and checked for function. We need to ensure that the machine heads operate smoothly.

Electrics

All the functions of your guitar are checked to ensure everything is working as intended.

For acoustic guitars we will check the functions of the EQ system and controls as well as check the internal cabling and jack socket.

For electric guitars, all the pickups are checked for function and tonal response. All controls and switches are operated to ensure they are functioning properly. The jack socket is checked.

Other Parts

All other parts such as strap pins, bushings, tuning buttons etc are fully checked.

Dispatch

All our instruments get the same premium treatment whether you purchase online or instore.

If you have purchased online, your guitar will be carefully packed ready for dispatch. You will receive a tracking link via email.

Happy playing :)

Laney Digbeth Foundry DBF50 1x10" 50w Bass Combo

Laney Digbeth Foundry DBF50 1x10" 50w Bass Combo

Name: Laney Digbeth Foundry DBF50 1x10" 50w Bass Combo
Brand: Laney
SKU: DBF50
Price: 239.00 GBP
Availability: InStock

Features a Clean and Overdrive channel and a versatile tonal shaping section..

SKU: DBF50

£239.00

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Description

The Laney Digbeth Foundry DBF50 packs 50 watts of versatile bass tone into a portable, road-ready 1x10 combo designed for practice, rehearsal, and intimate gigs. Pairing a clean FET stage with a dedicated tube-style drive channel, it bridges vintage warmth with modern punch so players can move from pristine clarity to biting grit in seconds. Bassists wanting a compact workhorse that holds its ground in the studio, at home, or on small stages will find it fully equipped to handle whatever the setlist throws at them.

Dual FET and Drive Channels with Mix Mode

Laney gives the DBF50 two distinct voicings: a clean, immediate FET channel and a fully featured Drive channel with independent Drive and Volume controls. The FET section provides fast transient response with defined low-end, while the Drive channel lets you dial in everything from subtle vintage warmth to aggressive breakup.

A dedicated Mix setting blends both channels simultaneously. Rather than losing bottom-end definition when you add grit, the Mix mode lets you retain the clear, focused fundamental of the FET circuit alongside the harmonic crunch of the Drive stage.

Flexible Tone Shaping with Tilt and Preshape

Alongside a standard 3-band EQ, the DBF50 introduces Laney's dynamic Tilt control. Functioning like a see-saw EQ with a neutral centre detent, turning it clockwise boosts mids and highs while trimming lows to help your bass cut through dense band mixes. Rotating it anti-clockwise thickens the lower register while smoothing the top end for a rounder, warmer presence.

For instant slap or heavy rock tones, the switchable Preshape function applies a targeted mid-frequency scoop while lifting highs and lows. A master volume control lets you set your overall output level without altering the preamp balance or gain character you have dialled in.

Punchy 10" HH Audio Woofer and Studio-Ready Cabinet

Low frequencies are pushed through a custom 10" HH Audio Blue professional woofer, delivering clear projection and focused attack that avoids muddiness. The enclosure is constructed from 15 mm plywood to keep overall weight manageable while preserving natural cabinet resonance and structural rigidity.

For studio engineers and recording bassists, the front fret cloth is fully removable, providing unobstructed microphone access directly in front of the driver cone.

Stage, Studio, and Silent Practice Connectivity

A balanced XLR DI output feeds a clean, pre-EQ signal straight to front-of-house mixing desks or recording audio interfaces. If you need a post-preamp feed, the FX send jack doubles as an auxiliary line output. The onboard FX loop makes integrating outboard modulation, delay, or preamp pedals straightforward.

For quiet rehearsal, a 3.5 mm auxiliary input lets you play along with backing tracks, while a dedicated 3.5 mm stereo headphone output allows silent monitoring at any hour. A rear-panel footswitch jack also provides remote hands-free switching for the Drive channel.

Laney Digbeth Foundry DBF50 Specifications

Power Output - 50 watts RMS.
Speaker Configuration - 1x10" HH Audio Blue professional woofer.
Channels - two channels (FET and Drive) with blendable Mix option.
Preamp Controls - FET Volume, Drive, Drive Volume, Mix switch, and Master Volume.
Tone Controls - 3-band EQ (Bass, Middle, Treble) with interactive Tilt EQ.
Voicing Options - switchable Preshape mid-scoop filter.
DI Output - balanced male XLR direct output (pre-EQ).
Effects Loop - standard 1/4" send and return jacks.
Line Output - FX send doubles as line output.
Auxiliary Input - 3.5 mm stereo jack for external audio playback.
Headphone Output - 3.5 mm stereo jack for silent practice.
Footswitch Connectivity - rear socket for remote Drive channel switching.
Cabinet Construction - 15 mm plywood with protective steel corners and top-mounted strap handle.
Baffle Design - removable front fret cloth for direct microphone placement.
Power Supply - internal universal 100-240V switched-mode power supply with IEC C14 inlet.

Weight and Dimensions for Laney Digbeth DBF50

Dimensions (cm) = 43.5 L x 40.1 W x 30.1 D
Weight (Kg) = 10.90

The Laney Digbeth Foundry DBF50 offers gigging and recording bassists a practical, punchy rig that transitions effortlessly from late-night home practice to live venue stages.

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